<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4828552746264164394</id><updated>2011-04-21T20:02:57.540-07:00</updated><title type='text'>VA3060 Sound &amp; Multiple Media Study</title><subtitle type='html'>Course in AVA, HKBU
Lecture notes summary by Annie Wan</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>12</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-4826370665344606543</id><published>2007-12-16T02:55:00.000-08:00</published><updated>2007-12-16T02:56:00.669-08:00</updated><title type='text'>VA3060 Final Exhibition Documentation Trailer</title><content type='html'>&lt;object width="425" height="350"&gt; &lt;param name="movie" value="http://www.youtube.com/v/Am5Jg9rNpr0"&gt; &lt;/param&gt; &lt;embed src="http://www.youtube.com/v/Am5Jg9rNpr0" type="application/x-shockwave-flash" width="425" height="350"&gt; &lt;/embed&gt; &lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-4826370665344606543?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/4826370665344606543/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=4826370665344606543' title='4 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/4826370665344606543'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/4826370665344606543'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/12/va3060-final-exhibition-documentation.html' title='VA3060 Final Exhibition Documentation Trailer'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-1078316609065397443</id><published>2007-11-12T18:33:00.000-08:00</published><updated>2007-11-12T19:00:11.428-08:00</updated><title type='text'>Lecture 8: The Exteneded Self &amp; Sound</title><content type='html'>&lt;a href="http://en.wikipedia.org/wiki/Al-Jazari" target="_blank"&gt;Al-jazari, Turkish Mechanical Engineer during 13th Century&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Leonardo's_robot" target="_blank"&gt;Leonardo Da Vincci, humanoid automata during 15th Century&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Filippo_Tommaso_Marinetti" target="_blank"&gt;Futurist &amp; Roboitcs&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Karel_Capek" target="_blank"&gt;Karel Čapek &amp; R.U.R&lt;/a&gt;&lt;br /&gt;&lt;a href="http://findarticles.com/p/articles/mi_m0425/is_n3_v56/ai_20377595" target="_blank"&gt;Eduardo Kac, Foundation and Development of Robotic Art (1997) &lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Pygmalion_%28mythology%29" target="_blank"&gt;Lust &amp; Greek Myth&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.mediaartnet.org/themes/cyborg_bodies/" target="_blank"&gt;Concept of Cyborg &amp; Posthuman&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stelarc.va.com.au/quarterear/index.html" target="_blank"&gt;Stelarc &amp; His Third Ear (2003)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Steve_Mann" target="_blank"&gt;Steve Mann &amp; Wearable Computing (80s-)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://home.snafu.de/maubrey/" target="_blank"&gt;Benoît Maubrey &amp; Electroacoustics Clothes (1989)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.plus1plus1plus.org/projects/Meditations/" target="_blank"&gt;Adam Overton's Meditation Series (2003-)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://ace.uci.edu/penny/works/sympathetic.html" target="_blank"&gt;Sympathetic Sentience, Simon Penny and Jamieson Schulte (1999)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://accad.osu.edu/~rinaldo/" target="_blank"&gt;Autopoiesis, Ken Rinaldo (2000)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://heartchamberorchestra.org/project.html" target="_blank"&gt;Heart Chamber Orchestra, Erich Berger &amp; Pure (2006)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.haque.co.uk/skyear/information.html" target="_blank"&gt;Sky Ear, Usman Haque (2004)&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-1078316609065397443?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/1078316609065397443/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=1078316609065397443' title='0 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/1078316609065397443'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/1078316609065397443'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/11/lecture-8-exteneded-self-sound.html' title='Lecture 8: The Exteneded Self &amp; Sound'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-6683198656140071474</id><published>2007-11-11T01:09:00.000-08:00</published><updated>2007-11-11T01:14:39.842-08:00</updated><title type='text'>Optional Reading on Telematics &amp; Responsive System</title><content type='html'>&lt;a href="http://en.wikipedia.org/wiki/Roy_Ascott" target="_blank"&gt;Art and Telematics: towards  a network consciousness, Roy Ascott (1984)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.volweb.cz/horvitz/burnham/homepage.html" target="_blank"&gt;The Future of Responsive Systems in Art (From Beyond Modern Sculpture,  Jack Burnham (1968)&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-6683198656140071474?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/6683198656140071474/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=6683198656140071474' title='0 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/6683198656140071474'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/6683198656140071474'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/11/optional-reading-on-telematics.html' title='Optional Reading on Telematics &amp; Responsive System'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-5929575196416743655</id><published>2007-11-09T01:14:00.000-08:00</published><updated>2007-11-09T02:20:10.900-08:00</updated><title type='text'>Lecture 7: Telematics &amp; Radio Art</title><content type='html'>&lt;a href="http://en.wikipedia.org/wiki/Ray_Johnson" target="_blank"&gt;Ray Johnson &amp; Mail Art&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Bertolt_Brecht" target="_blank"&gt;Bertolt Brecht&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Verfremdungseffekt" target="_blank"&gt;Verfremdungseffekt, an alienation effect&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Epic_theater" target="_blank"&gt;Epic Theater&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.medienkunstnetz.de/works/bertold-brecht/" target="_blank"&gt;Lindberghflug, 1929&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.max-neuhaus.info/soundworks/" target="_blank"&gt;Max Neuhaus&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.kunstradio.at/ZEITGLEICH/CATALOG/ENGLISH/neuhaus2b-e.html" target="_blank"&gt;Radio Net, 1977&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Marshall_McLuhan" target="_blank"&gt;Marshall McLuhan&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Global_village_%28Internet%29" target="_blank"&gt;Marshall McLuhan &amp; Global Village&lt;/a&gt;&lt;br /&gt;&lt;a href="http://searchnetworking.techtarget.com/sDefinition/0,,sid7_gci517744,00.html" target="_blank"&gt;General Definition of Telematics&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Tim_Berners-Lee" target="_blank"&gt;Tim_Berners-Lee, Father of WWW&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/History_of_the_Internet" target="_blank"&gt;Technical Development of the Internet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://eto.com/1998/SoundCreatures/" target="_blank"&gt;Sound Creatures, Kouichirou Eto (1998)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queue.ieor.berkeley.edu/~goldberg/garden/Ars/" target="_blank"&gt;Telegarden, Ken Goldberg (1994-2004)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://goldberg.berkeley.edu/art/mori/" target="_blank"&gt;Mori, Ken Goldberg (1999-)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Radio" target="_blank"&gt;Radio&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Radio_waves" target="_blank"&gt;Radio Waves&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/RFID" target="_blank"&gt;RFID (Radio-frequency identification)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Electromagnetic_spectrum" target="_blank"&gt;Electromagnetic Spectrum&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Streaming_media" target="_blank"&gt;Streaming Media&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Podcasting" target="_blank"&gt;Podcasting&lt;/a&gt;&lt;br /&gt;&lt;a href="http://radio.about.com/od/podcastin1/a/aa030805a.htm" target="_blank"&gt;Tutorial on Podcasting &amp; RSS Feed&lt;/a&gt;&lt;br /&gt;&lt;br&gt;Tre Marie, an interactive audio-visual dance improvised performance. The system in progress is an innovation of RF-ID (radio-frequency identification) technology for dance performance, which improvise live visuals on stage. The performance is a reconstructed architecture of spaces, encodes the spatial aesthetics of the interaction between human, theatrical space and cinematic space. By Annie Wan, Hiroki Nishino &amp; Pamela Pietro (2005)&lt;br /&gt;&lt;a href="http://www.slimboyfatboyslim.org/3060/tre_marie.mov" target="_blank"&gt;Performance Video&lt;/a&gt;&lt;br&gt;&lt;br /&gt;Blogs on New Media and Sound Art in Chinese&lt;br /&gt;&lt;a href="http://www.digiarts.org.tw/en/ShowLinkTW.aspx?lang=zh-tw&amp;CLC_NO=13" target="_blank"&gt;台灣數位藝術知識與創作流通平台&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.microplayground.net/wordpress/" target="_blank"&gt;微型楽园&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-5929575196416743655?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/5929575196416743655/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=5929575196416743655' title='0 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/5929575196416743655'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/5929575196416743655'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/11/lecture-7-telematics-radio-art.html' title='Lecture 7: Telematics &amp; Radio Art'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-1228377329014246901</id><published>2007-10-26T04:26:00.000-07:00</published><updated>2007-10-26T04:42:46.169-07:00</updated><title type='text'>Lecture 6: AudioVisual Sculpture</title><content type='html'>&lt;a href="http://en.wikipedia.org/wiki/Joseph_Beuys" target="_blank"&gt;Joseph Beuys &amp; Social Sculpture&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.tate.org.uk/modern/exhibitions/beuys/" target="_blank"&gt;The Pack &amp; Other Works, Joseph Beuys&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.ubu.com/sound/moorman.html" target="_blank"&gt;Plus-Minus (1964) Nam Jun Paik, Karlheinz Stockhausen &amp; Charlotte Moorman&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Process_music" target="_blank"&gt;Process Music &amp; Karlheinz Stockhausen&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Billy_Klüver" target="_blank"&gt;Billy Klüver&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Robert_Rauschenberg" target="_blank"&gt;Robert Rauschenberg&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.medienkunstnetz.de/artist/eat/biography/images/1/?desc=full" target="_blank"&gt;E.A.T. – Experiments in Art and Technology&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.zakros.com/projects/eat/index.html" target="_blank"&gt;Oracle (1965) &amp; Pepsi Pavilion (1970), Billy Klüver &amp; Robert Rauschenberg&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.acegallery.net/video.php?Video=29&amp;Title=If/Then&amp;Year=2001&amp;Next=/artwork.php?pageNum_ACE=20&amp;totalRows_ACE=67&amp;Artist=3&amp;Artist=3" target="_blank"&gt;If/ Then (2001), Ken Feingold&lt;/a&gt;&lt;br /&gt;&lt;a href="http://echosounddesign.com/media/ObjectiveSound.mov" target="_blank"&gt;Objective Sound (2007), Bill Fontana&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.resoundings.org/" target="_blank"&gt;Bill Fontana's Sound Sculpture&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-1228377329014246901?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/1228377329014246901/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=1228377329014246901' title='0 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/1228377329014246901'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/1228377329014246901'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/10/lecture-5-audiovisual-sculpture.html' title='Lecture 6: AudioVisual Sculpture'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-8485382822438679741</id><published>2007-10-13T01:58:00.000-07:00</published><updated>2007-10-13T04:15:03.351-07:00</updated><title type='text'>Reading for Chung Yeung Festival</title><content type='html'>&lt;a href="http://www.ubu.com/papers/higgins_intermedia.html" target="_blank"&gt;Synesthesia and Intersenses: Intermedia by Dick Higgins (1965)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Dick_Higgins" target="_blank"&gt;Dick Higgins, one of the Founders of Fluxes Movement&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Fluxus" target="_blank"&gt;Fluxes, a movement founded during 1960s-80s&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Inspirations/ Entertainment:&lt;br /&gt;&lt;a href="http://www.zprod.org/PG/home.htm" target="_blank"&gt;Paul Granjon, Robotics/ Performance Artist&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.zprod.org/PG/machines/cybWurst.htm" target="_blank"&gt;Paul Granjon on how to create interactive sound sauage&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-8485382822438679741?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/8485382822438679741/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=8485382822438679741' title='0 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/8485382822438679741'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/8485382822438679741'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/10/reading-for-chung-yeung-festival.html' title='Reading for Chung Yeung Festival'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-1216867621241421935</id><published>2007-10-09T09:25:00.000-07:00</published><updated>2007-10-13T02:57:28.809-07:00</updated><title type='text'>Lecture 5: AudioVisual Improvisation</title><content type='html'>Links:&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Walter_Benjamin" target="_blank"&gt;Walter Benjamin&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm" target="_blank"&gt;The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin (1936)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.vasulka.org/Steina/Steina_AllVision/MOV_AllVision.html" target="_blank"&gt;Allvision by Stenia Vasulka&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.naimark.net/projects/displacements.html" target="_blank"&gt;Displacements by Michael Naimark&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Jacques_Tati" target="_blank"&gt;Playtime by Jacques Tati&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.lozano-hemmer.com/video/fnv.html" target="_blank"&gt;Frequency &amp; Volume by Rafael Lozeno-Hemmer&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.aesthetic-machinery.com/voxpopuli.html" target="_blank"&gt;Vox Populi by Don Ritter&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=GVkpiILA4rw" target="_blank"&gt;MTV of Björk’s All is Full of Love by Chris Cunningham&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Lab Exercise:&lt;br /&gt;"Weightless" Video/ Audio&lt;br /&gt;&lt;br /&gt;Video created by collaboration from all students&lt;br /&gt;&lt;object width="425" height="350"&gt; &lt;param name="movie" value="http://www.youtube.com/v/hAgS0fsfH_Y"&gt; &lt;/param&gt; &lt;embed src="http://www.youtube.com/v/hAgS0fsfH_Y" type="application/x-shockwave-flash" width="425" height="350"&gt; &lt;/embed&gt; &lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-1216867621241421935?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/1216867621241421935/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=1216867621241421935' title='0 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/1216867621241421935'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/1216867621241421935'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/10/lecture-4-audiovisual-improvisation.html' title='Lecture 5: AudioVisual Improvisation'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-865501090523485833</id><published>2007-10-03T03:03:00.000-07:00</published><updated>2007-10-13T03:00:42.208-07:00</updated><title type='text'>Lecture 4: Structure &amp; Sound</title><content type='html'>Links:&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Structuralism" target="_blank"&gt;Structuralism&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Claude_Lévi-Strauss" target="_blank"&gt;Claude Lévi Strauss, the Cooked and the Raw&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.volweb.cz/horvitz/burnham/homepage.html" target="_blank"&gt;Jack Burnham, Structure of Art&lt;/a&gt;&lt;br /&gt;&lt;a href="http://arthist.binghamton.edu/duchamp/Paris%20Air.html" target="_blank"&gt;Marcel Duchamp, Aire De Paris&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Sol_LeWitt" target="_blank"&gt;Sol_LeWitt, open &amp; modular structure&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Le_Corbusier" target="_blank"&gt;Le Corbusier&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Edgard_Varèse" target="_blank"&gt;Edgard Varèse&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Iannis_Xenakis" target="_blank"&gt;Iannis Xenakis&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.medienkunstnetz.de/works/poeme-electronique/" target="_blank"&gt;Philips Pavilion&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=rC3OXai7W9I" target="_blank"&gt;Video of Poeme Electronique&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.diacenter.org/ltproj/neuhaus/" target="_blank"&gt;TimeSquare by Max Neuhaus&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=mnMHHr27_yU" target="_blank"&gt;Video Documentation of TimeSquare&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Lab Exercise:&lt;br /&gt;DIY Piezo Microphone &amp; discover the embedded sound in various structures&lt;br /&gt;&lt;a href="http://home.earthlink.net/~erinys/contactmic.html" target="_blank"&gt;Tutorial&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Inspirations - Sound Installation (mechanical):&lt;br /&gt;&lt;a href="http://www.untitled-sound-objects.ch/" target="_blank"&gt;Untitled Sound Objects (Switzerland)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.roving.net/" target="_blank"&gt;Ed Osborn (USA)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.evdh.net/" target="_blank"&gt;Edwin Van De Heidi (Netherlands)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Inspirations - DIY electronnics/ instruments, Performances:&lt;br /&gt;&lt;a href="http://www.fm3buddhamachine.com" target="_blank"&gt;FM3 (China)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://swo.jp" target="_blank"&gt;Sinewave Orchestra (Japan)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.breadboardband.org" target="_blank"&gt;The Breadboard Band (Japan)&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-865501090523485833?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/865501090523485833/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=865501090523485833' title='0 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/865501090523485833'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/865501090523485833'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/10/lecture-4-structure-sound.html' title='Lecture 4: Structure &amp; Sound'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-3828194069605611093</id><published>2007-10-03T03:00:00.000-07:00</published><updated>2007-10-13T02:30:04.377-07:00</updated><title type='text'>Listening &amp; Reading for Mid Autumn Festival</title><content type='html'>Trevor Wishart "Red Bird"&lt;br /&gt;&lt;a href="http://www.ubu.com/sound/wishart.html" target="_blank"&gt;Trevor Wishart "Red Bird" Audio&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-3828194069605611093?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/3828194069605611093/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=3828194069605611093' title='0 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/3828194069605611093'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/3828194069605611093'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/10/listening-reading-for-mid-autumn.html' title='Listening &amp; Reading for Mid Autumn Festival'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-4962985940196717941</id><published>2007-10-03T02:49:00.000-07:00</published><updated>2007-10-13T02:28:34.003-07:00</updated><title type='text'>Lecture 3: Soundscape &amp; Concrète</title><content type='html'>Links:&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Pauline_Oliveros" target="_blank"&gt;Pauline Oliveros&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.osborne-conant.org/oliveros.htm" target="_blank"&gt;Pauline Oliveros &amp; Deep Listening&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Psychoacoustic_model" target="_blank"&gt;Psychoacoustic&lt;/a&gt;&lt;br /&gt;&lt;a href="http://sound.eti.pg.gda.pl/SRS/psychoacoust.html" target="_blank"&gt;Basics of Psychoacoustic&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.music.gla.ac.uk/~george/audio/psy/psy.html" target="_blank"&gt;Critical Bands &amp; Perception&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Pierre_Schaeffer" target="_blank"&gt;Pierre Schaeffer&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Musique_concrète" target="_blank"&gt;Musique Concrète&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&amp;Params=U1ARTU0003743" target="_blank"&gt;World Soundscape Project&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Karlheinz_Stockhausen" target="_blank"&gt;Mikrophonie I by Karlheinz Stockhausen&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.medienkunstnetz.de/works/klangbruecke-koeln-sanfrancisco/audio/1/" target="_blank"&gt;Soundbridge Köln/San Francisco by Bill Fontana&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Labs:&lt;br /&gt;Group I - Inter-computer sound recording&lt;br /&gt;Gropu II - Mobile phone sound recording&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-4962985940196717941?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/4962985940196717941/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=4962985940196717941' title='0 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/4962985940196717941'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/4962985940196717941'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/10/lecture-3-soundscape-concrete.html' title='Lecture 3: Soundscape &amp; Concrète'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-5144989561085750790</id><published>2007-10-03T02:42:00.000-07:00</published><updated>2007-10-13T02:20:31.540-07:00</updated><title type='text'>Lecture 2: Intro to Digital Audio</title><content type='html'>Links:&lt;br /&gt;&lt;a href="http://audacity.sourceforge.net/manual-1.2/tutorial_basics_1.html" target="_blank"&gt;Audacity Tutorials&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Sampling_frequency" target="_blank"&gt;Sampling frequency&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Digital-to-analog_converter" target="_blank"&gt;Digital to analog converter&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Analog-to-digital_converter" target="_blank"&gt;Analog to digital converter&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/MIDI" target="_blank"&gt;MIDI&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.mediacollege.com/audio/connection/" target="_blank"&gt;Cables &amp; Connections&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Lab Exercise:&lt;br /&gt;Create a sound poetry in Tomasso Marinetti's Style&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-5144989561085750790?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/5144989561085750790/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=5144989561085750790' title='0 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/5144989561085750790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/5144989561085750790'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/10/lecture-2-intro-to-digital-audio.html' title='Lecture 2: Intro to Digital Audio'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4828552746264164394.post-6438757447477358484</id><published>2007-09-07T09:43:00.000-07:00</published><updated>2007-10-13T20:00:20.729-07:00</updated><title type='text'>Lecture 1: History of Sound Art in Relation to other Art Media</title><content type='html'>Links:&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Semiotics" target="_blank"&gt;Semiotics, study of symbols and meanings&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Ferdinand_de_Saussure" target="_blank"&gt;Ferdinand de Saussure, theory of on sound &amp; language&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Luigi_Russolo" target="_blank"&gt;Luigi Russolo, Futurist Painter&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Filippo_Tommaso_Marinetti" target="_blank"&gt;Filippo Tommaso Marinetti, Futurist Poet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/John_Cage#Writings.2C_visual_art.2C_and_other_activities" target="_blank"&gt;John Cage &amp; Visual Arts&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Arnold_Schoenberg" target="_blank"&gt;Arnold Schoenberg, atonal music&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Earle_Brown" target="_blank"&gt;Earle_Brown, Mobility &amp; open form music&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Reading:&lt;br /&gt;&lt;a href="http://web.media.mit.edu/~meyers/mcgill/papers/mobility.pdf" target="_blank"&gt;Alexandar Calder &amp; Earle_Brown&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.uiowa.edu/~iareview/mainpages/new/feb06/kahn.html" target="_blank"&gt;Sound Art, Art, Music by Douglas Kahn&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4828552746264164394-6438757447477358484?l=soundmultiple.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soundmultiple.blogspot.com/feeds/6438757447477358484/comments/default' title='帖子评论'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4828552746264164394&amp;postID=6438757447477358484' title='0 条评论'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/6438757447477358484'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4828552746264164394/posts/default/6438757447477358484'/><link rel='alternate' type='text/html' href='http://soundmultiple.blogspot.com/2007/09/lecture-1-history-of-sound-art-in.html' title='Lecture 1: History of Sound Art in Relation to other Art Media'/><author><name>slimboyfatboyslim</name><uri>http://www.blogger.com/profile/06794772780177818771</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
